Music That Moves Stories.
Premium music for film, television, advertising, games, podcasts, trailers, and branded content.
- ASCAP 1308471560
- Registered PRO
- 100%
- Master + publishing
- 1 business day
- Typical quote
- Analog chain
- Mixed & mastered by hand
Clearance
One owner. One signature. No chase.
Most music you find has its recording owned by one party and its composition by another. To use it you negotiate twice, and either side can hold the cue up while your edit sits waiting on an answer.
Everything in this catalog was written, performed, recorded and mixed by one person, and the publishing is held by his own company. That means the master and the composition clear together, in a single agreement, from a single conversation — and the person quoting you is the person who owns it.
Practically: send a brief, get a quote inside a business day, sign once, receive broadcast-quality files and a cue sheet that names one writer and one publisher.
Music for every medium
Browse by where your story lives.
The catalog
Every cue is measured, not described
Each track is analysed before it's listed: tempo and key, exact duration, how the energy moves second by second, whether it ends cold, on a button or on a fade, how much of its content sits in the frequency band a voice needs, and how wide it images in stereo.
That's why you can filter this catalog the way a brief is actually written — “driving, around 120, instrumental, has to sit under dialogue, needs to end cold” — instead of scrolling playlists named after feelings.
Nothing here is estimated. If a number hasn't been measured, the page shows a dash rather than a guess.
Under dialogue
Music that gets out of the way of a voice
Speech occupies roughly 1–3kHz. A cue with a lot of its own energy in that window will fight your dialogue no matter how carefully it's mixed under — which is why so much library music has to be ducked into uselessness.
Every track here carries a dialogue-safe score from 0 to 100, measured from the actual audio. High scores keep that band clear. It's the difference between a bed you can talk over and one you have to fight.
Latest releases
Fresh cuts, ready to license.
Felt Piano Improv: solo-instrument track, free tempo
Joseph Thomas
The room
It goes through hardware, by hand
Nothing here is a preset chain on a rendered stem. Audio leaves the box through real converters, passes a real desk, and is captured back through a reference A/D — which is also what you're buying if you book the studio rather than license a cue.
Who wrote it
A person, not a content farm
This is the catalog of Joseph Abrams, who records as Joseph Thomas. He found house music in the Tampa clubs around 1993 and has been making it in some form ever since — which is why the catalog leans electronic and why the tagging vocabulary reads like a working brief rather than a genre menu.
He writes it, plays it, records it, mixes it and masters it. There is no roster, no A&R, and no generative model in the chain.
- Writer
- Joseph Thomas Abrams
- PRO
- ASCAP · IPI 1308471560
- Publisher
- Enjoy Being · ASCAP
- Writer share
- 100% — sole writer
- Delivery
- Broadcast-quality files + cue sheet
Need the track finished, not licensed?
Mixing, analog enrichment and mastering through a real console and real converters — by hand, a few slots a week. Every booking comes back with photos and video of your track on the desk.
See studio servicesReady to license music that moves your story?
Tell me about your project and get a quote, or start browsing the catalog now.